Rough Cut 1
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Final Script
Izzy: Is this the right place? Cameron: Well I doubt there’s any other abandoned factories within 20 miles from here Izzy Joss: It’s a poultry innit ? Izzy: Yeah, Dan said that firms like Asda and KFC got their chicken from here, but like some kinda accident happened about 10 years ago, been closed ever since. Joss: What kinda accident? Izzy: I dunno , think a worker was killed here, like a really brutal accident Joss: I bet he was made into a chicken nugget CAMERON LAUGHS, IZZY HITS JOSS Izzy: Shut up Joss! CINEMATICS LEADING UP TOWARDS THE SITE JOSS TRIES A DOOR Joss: Ugh, door is locked Izzy: Yeah, it’s almost like they don’t want people trespassing Joss: We’re already trespassing! Cameron: Bloody ‘ell, get out of the way CAMERON KICKS THE DOOR OPEN Camera flips to the inside of the building (match-on-action) Cam
Final Idea Planning
Final Idea - An urbex documentary conveying my personal viewpoint of the hobby and bringing across to the audience the idea of escapism that urban explorers get from it. Casting Choices - The urban exploration community (including myself) - Specifically local explorers who I have collaborated with in the past Character Profiles - Dan Howell - Korben Porter - Sam Shores Mise-en-scene application • Setting - It'll be set in derelict and forgotten locations to convey the point I will be trying to get across to the audience of my experience with urban exploring. • Character expression/movement - I will ensure to keep the movements and expression of the various characters • Hair and make-up - • Lighting - • Props - • Costume - Narrative application - I am going to have two narratives running at the same time; one narration which will be Sound application - I will be using a mixture of diagetic and non-diagetic sound, including a focus on sound FX. I will
"Where have I been all of your life?" Analysis
“Where have I been all of your life?” Mise-en-scene The film setting is in a car at the beginning and then moves into a normal-looking street where it then transitions inside of one of the houses as the narrative continues. This is effective as it creates a very real and true to life feeling as a documentary should. There are also no major distractions in the setting to bring the audiences attention away from the narrative. Character expressions are typically surprise when the father finds out he has a long-lost son, as well as the look of horror on his wife’s face when she finds out that he cheated on her years ago. This point can also be conveyed through her snappy and aggressive movements too. Props haven’t been used too much in this short film except for the paper showing the address of the house, which initially is read incorrectly which adds to the story. All the lighting used in the whole film is natural and soft as the overcast skies are typical English weather. T